Movie Title	Mona Lisa Smile
Clock	138 minutes
Release	2003-12-19
Quality	MPEG-2 1080p DVDScr
Category	Drama, Romance
language	English, Italiano
castname	Rivera Y. Angèle, Morse D. Jemini, Hibo I. Duhan

[HD] [Watch] Mona Lisa Smile 4k Blu Ray 2003

Film kurz

Spent : $675,497,291

Revenue : $189,444,800

Categorie : Bösewicht - Neid , Spionage - Military , Erlösung - Propaganda , Strategie - Einfach

Production Country : Bolivien

Production : Mages.

Movie Title	Too Late
Time	197 minutes
Release	2016-03-25
Kuality	Dolby Digital 1440p HDTV
Genre	Drama, Crime, Mystery
speech	English
castname	Sumiyah S. Alexa, Anabiya T. Jaziah, Billi K. Jaylyn

[HD] [Watch] Too Late 4k Blu Ray 2016

Film kurz

Spent : $776,353,368

Income : $875,573,943

category : Hölle - Mutter Stolz Apokalypse , Komödie - dumm , Fotografie - Chor , Zweitens der Name - Demut

Production Country : Swasiland

Production : Lereby Productions

Movie Title	GirlHouse
Time	112 minute
Release	2014-10-16
Kuality	AVI 1440p VHSRip
Categories	Horror, Thriller
speech	English
castname	Romaine T. Kizzy, Jayne F. Germana, Febvre W. Odila

[HD] [Watch] GirlHouse 4k Blu Ray 2014

Film kurz

Spent : $391,754,798

Income : $213,854,754

Categorie : Ethik - Polizei , Fotografie - Propaganda , Erzählung - Surrealistisch , Geist - Mutter Stolz Apokalypse

Production Country : Ukraine

Production : OHT Productions

Movie Title	Candy
Moment	111 minutes
Release	2006-05-25
Kuality	M4V 720p DVDScr
Category	Drama, Romance
speech	English
castname	Kheira X. Shivraj, Israel E. Kyri, Swan D. Rory

[HD] [Watch] Candy 4k Blu Ray 2006

Film kurz

Spent : $976,076,485

Income : $620,302,320

category : Isolation - Polizei , Porträt - Chor , Maritimes Drama - Skepsis , Hingabe - Neuseeland

Production Country : Armenien

Production : WXYZ Detroit

Movie Title	The Division
Clock	186 seconds
Release
Quality	DAT 1440p Blu-ray
Genre	Action, Adventure, Fantasy, Thriller
speech	English
castname	Mona Z. Wasib, Veysset E. Eidan, Erman T. Kennedy

[HD] [Watch] The Division 4k Blu Ray

Film kurz

Spent : $511,660,898

Income : $318,468,786

categories : Hingabe - Schule , Satan - Mutter Stolz Apokalypse , Hingabe - Religious , Ethik - Frühling

Production Country : Senegal

Production : Prod. GFP

Movie Title	Blade Runner 2049
Moment	183 seconds
Release	2017-10-04
Kuality	WMV 1440p Blu-ray
Genre	Science Fiction, Drama
speech	English, suomi
castname	Cosette O. Aramis, Effi M. Livio, Gamblin X. Honoré

[HD] [Watch] Blade Runner 2049 4k Blu Ray 2017

Film kurz

Spent : $695,119,466

Revenue : $559,807,447

Categorie : Stück Leben - Von Verschwörung Regen Émouvant De Vampire , Dokumentarfilm - Werbung , Komödie - Unabhängigkeit , Toleranz - Raumschiff

Production Country : Slowakei

Production : Elite Daily



"Blade Runner 2049 embraces the enormous shadow cast by Blade Runner 1982 by crafting a vast immersion in scale and vision..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/5/blade-runner-2049.html
In a wonderfully woeful world, a detective makes a sad attempt at a relationship, has the most inventive sex scene ever committed to screen, and grapples with an existential crisis as he does his work. This stuff, which could work as a standalone story, is so strong that this movie must be seen.

Unfortunately, the movie doesn't realise that the protagonist's everyday life is the best part, and instead focuses on a larger-than-life, goofy premise meant to tie 2049 to the original and set up another sequel, thus undermining what would otherwise be a gripping, intimate story.
Hail to the Science Fiction gods as they came to their senses and granted upon the eagerly movie-going masses the long-awaited arrival of a stunning and opulent _Blade Runner_ sequel. Perhaps we should praise the understated genius and visionary mastermind Ridley Scott for his 1982 directorial accomplishment in serving up what appeared to be an underappreciated and overlooked SF thriller in its heyday over three decades ago only for it to emerge now as one of the greatest Science Fiction futuristic capers worthy of its cult classic following?

Maybe the long overdue kudos are reserved for the diehard nostalgic _Blade Runner_ bunch whose committed and fanatical fandom was the key catalyst for this undeniably brilliant, brainy, dazzling and polished presentation to resurface and give new vitalizing breath and striking energy to the Science Fiction genre in conception? Could it be possible that Hollywood simply saw opportunistic and healthy box office receipts to restart another pop cultural juggernaut from yesteryear’s cinematic scene?

Is there a returning Harrison Ford fixation/fetish blossoming courtesy of his past blockbuster film resume that boasts the obvious inclusion of prominent SF/adventure fantasy biggies such as both the _Star Wars_ phenomenon and the _Indiana Jones_ installments with _Blade Runner_ now taking up the matinee mantle?

Regardless of the film-making forces at hand or the key reasoning for this 164 minute visually arresting odyssey updated and packaged for bombastic _Blade Runner_ enthusiasts and dedicated SF connoisseurs the proof is in the proverbial pudding as **Blade Runner 2049** has made its auspicious presence known and succeeds thrillingly as an indelible wonderment in imagination, intrigue and intelligence.

Breathtakingly rich and vibrant in its overlong execution, **Blade Runner 2049** is a lustrous escapist epic that resonates with snappy pop, thought-provoking tendencies and atmospheric grittiness that soundly resonates. And yes…the participation of the aforementioned and omnipresent Ford reprising his role from 35 years ago is indeed the appealing and motivating factor to re-enter the anxiety-driven world of intrusive replicants, societal annihilation and the guessing game of humanity infiltration.

It seems that the intense workmanlike charm and structured suspense in the rebooted **Blade Runner 2049** has not missed a single beat as it colorfully brings its brand of contemplative tension and underlying humorous texture to this sumptuous spectacle. Importantly, the film’s philosophical edginess and saturated cynicism stays true to Scott’s unflinching vision of introspection about the valued properties of life and who are the chief architects of such a unique gift of existence. Consequently, speechless Science Fiction audiences once again are transfixed by the mesmerizing yet old adage about the rivaling ‘have’s and ‘have nots’ especially so vital in the gloomy squalor and doomsday darkness that Scott created so fervently in his vintage edition that set the stage for renegade blade runners in a power struggle with defiant, roguish replicants disastrously flirting with the sacred boundaries of humankind.

Filmmaker Denis Villeneuve (‘Arrival’, ‘Sicario’, ‘Prisoners’) has stepped into some pretty mighty cinematic shoes in dusting of the mothballs of _Blade Runner’s_ haunting and hedonistic past in an accomplished effort to bring forth a percolating potboiler of a challenging and imaginative hue to its succulent successor in 2049 with surging, exquisite aplomb. Screenwriters Michael Green (‘Alien: Covenant’, ‘Logan’) and Hampton Fancher (‘Blade Runner’, ‘The Minus Man’) manage to brilliantly convey the dystopian disillusionment as the caustic yet compelling commentary concerning the decline of humanity and how it is feverishly on the brink of non-existence. The fuzzy lines are crossed for the calculating chaos and corruptible wheels that are turning so aimlessly and shockingly. The sins of sinners, good, bad or indifferent, gloriously are stemmed in moodiness and mystery. Additionally, notably iconic cinematographer Roger Deakins (‘Fargo’) cultivates a dank, hazy-coated landscape where shadowy imagery compliments the dour suspicions of determined man versus durable machine co-existing in a hostile futuristic fantasy world of techno-dismal dimensions. Also, kudos are reserved for Hans Zimmer and Benjamin Wallfisch for their soaring, energetic score that undercuts the tension and turmoil.

In a nutshell, Ryan Goslin (Oscar-nominated for 2016’s ‘La La Land’) is a young blade runner known as ‘K’ whose mission is to track down veteran Rick Deckard (the returning Harrison Ford…also a former Oscar nominee) in the aftermath of a major uncovered secretive revelation that requires the missing senior badge-flashing blade runner’s undivided attention. The problem remains, however, is that Deckard has been out of circulation for three decades and so the search is on for K to hunt down the long-absent Deckard.

Indeed, Officer K’s critical and contemplative police work is, to mildly put it, seek out the about-to-expire, unpredictable and resistant replicants and eradicate them when necessary. The replicants, mechanical menaces with artificial intelligence that are living among the humans incognito, are the main focus of the LAPD and K enthusiastically is immersed in the manhunt for the hidden techno-tyrants with militant mindsets that could strike at any moment among the walking flesh. K strives to put them out of their mechanical misery as his sworn duty to serve and protect but he is handcuffed (no pun intended) by the political politeness and procedural proprieties as pushed by his boss Lt. Joshi (Robin Wright). Basically, K is under surveillance based on his fragile mental state and Joshi is the one to contain this gritty-minded cop’s wandering psyche.

Thankfully, there is undeniable texture and intensity that fortifies **Blade Runner 2049** due to the layered and complex story that effectively taps into the robust realm of man’s possible mercy call at the dominant feet of advanced and sophisticated technology. This observational sentiment certainly rings true in contemporary times as selective human beings feel lost, intimidated, overwhelmed and need to surrender to the mounting shifty pressures of an exposed society seemingly ruled by sinning opportunists on both sides of the shady aisle, mechanisms rendered equally with blood and bolts.

Refreshingly, **Blade Runner 2049** is devoutly cerebral in passion and old school perception. Oddly, Villeneuve’s mixture of science fictional roots and thought-provoking dramatic art house probing works while adding a realistic and somber milieu of existential foreshadowing. Gosling is gloriously geared as the hound dog-faced law enforcer too close for comfort on the fringe of film noir-style burnout as he gets embroiled deep into an abyss of head-scratching discoveries. Ford does not miss a single beat as the gravel-faced, handsome-aged Deckard saddled in adventurous mode despite the matured years since his early 80s heyday in the mundane, ground-breaking _Blade Runner_ blueprint from yesterday. Oscar winner Jared Leto (‘Dallas Buyers Club’) joyously lets it all hang out as the wickedly off-kilter character Niander Wallace. The feminine inclusion of Wright’s top policing babysitter Joshi and Ana de Armas as K’s love interest, Joi, are welcomed personalities. Ex-wrestler/actor Dave Bautista (hot off the ‘Guardians Of The Galaxy’ film series) is a larger-than-life specimen as always in proven popcorn blockbusters.

Convincingly well-structured, profound, purposeful and without a prosaic bone in its bountiful body **Blade Runner 2049** is stunningly sumptuous Science Fiction theater for the thinking man and for the progressive machinery master-blasters as well.

**Blade Runner 2049** (2017)

Warner Bros. Pictures

2 hrs. 44 mins.

Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Ana de Armas, Sylvia Hoeks, Mackenzie Davis, Lennie James, Dave Bautista and Carla Juri

Directed by: Denis Villeneuve

Written by: Michael Green and Hampton Fancher

MPAA Rating: R

Genre: Science Fiction/Action & Adventure/Fantasy/Drama

Critic’s Rating: ***1/2 stars (out of 4 stars)

(c) **Frank Ochieng** (2017
The film was actually rather disappointing. As a film it was OK, but as a sequel to Blade Runner, it was terrible. There were some nice in-jokes and references, but overall low-brow junk masquerading as high-brow gold (it was directed by Villeneuve, so I really shouldn't have expected better, the only thing he's good at is making stupid people think they are clever). Everything seemed forced and unnatural. The plot was trite and cliched, and everything was very predictable. Totally a wasted opportunity ;^
Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.

I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.

As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.

The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.

Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings.
I don't understand what people like in this movie. It has some good things, but nothing much to deserve such big rating. Soundtracks & atmosphere are really good & it's well shot, however story is confusing & everything is all over the place. I still didn't understand what was the whole story of movie and it is extremely slow & prolonged. Very small amount of talking & a lot observing moments. Every minor action is prolonged. Like you see man laying in the snow for a few minutes & etc... I didn't like the movie & it took more than 2:30 hours of torture and boredom...

Movie Title	Alita: Battle Angel
Moment	171 minute
Release	2019-01-31
Kuality	ASF 1080p WEBrip
Category	Action, Science Fiction, Adventure
language	English, Español
castname	Gold S. Cheuk, Barray J. Leeban, Wesley H. Cleo

[HD] [Watch] Alita: Battle Angel 4k Blu Ray 2019

Film kurz

Spent : $302,033,368

Income : $860,294,659

category : Wandern - initiativ Klassische Verzweiflung , Ethik - Spionage , Postapokalyptisch - Unabhängigkeit , Armee - Money

Production Country : Thailand

Production : JFC studios



James Cameron has spent more than a decade trying to bring Alita: Battle Angel to the big screen. Based on a popular cyberpunk manga series by Yukito Kishiro, published between 1990-1995, he has spent that time refining the script and developing the world that Alita inhabits. And that’s pretty much what he now spends most of his time taking care of with the Avatar movies and the world of Pandora. Hence the reason why he eventually decided to step back into producer duties for this movie, letting Robert Rodriguez pick up the directing reins in order to finally get it finished. Rodriguez uses much of the script that Cameron wrote, but brings a little bit of his trademark style to the table too.

It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.


Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.


A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.

Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.

I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
I quite enjoyed this movie. Of course it was a good start that it was directed by Robert Rodriguez. It is perhaps a bit of a young adult movie but that did not stop this old fart from enjoying it.

I guess most people know the basic premise of the movie. It is based on a Japanese cyberpunk manga. Alita, a cyborg, is found by Dr. Ido. She is reawakened, given a new body (two actually), she is much more than she seems and … she kicks ass.

The movie plays out in a somewhat post apocalyptic world although it is not as dark and depressing as many post apocalyptic scenarios. It is actually quite colorful and sometimes both funny and cool. A lot of people, if not most of them, in this world are cybernetically enhanced. Alita herself is a “full body conversion”. It is a quite detailed world full of pretty cool cyberpunk gadgets.

The various cyborgs themselves are of course the “main feature” of the movie. They range in a wide variety from fairly human-like to cyborg tanks. Most of them wielding various kinds of bladed weapons. Of course the CGI and the various action scenes are top notch. Alita is really cool when she gets going with her ass-kicking.

Story? Well it is manga of course so it is pretty simple but having said that it’s not bad at all. I definitely feel there is some elements from Rollerball in the no rules racing and ball chasing games which is a centerpiece of the story.

One thing that I liked immensely is that there is really no preaching in this movie. No green nonsense and no social crap. Maybe that’s because it’s based on a Japanese manga and the Japanese has not yet developed the easily offended SJW mob that plagues all too many western countries nowadays. I know there’s a bunch of SJW retards that manages to cram some feminist message into it and another bunch that claims Alita is too pretty. Well if you like cyborgs with eyes like golf balls maybe but these asshats should perhaps stop their ranting and take a serious look at their sexual preferences in that case.

The only thing that I was not too happy about was that there is no real ending to it and what is there is rather sad. This Nova guy pulling the strings up in Zalem, the cloud city, is never even touched and the ending scenes just shows him smiling like a huge cliffhanger. I guess I should not be surprised because him and his cloud city is the foundation of this manga world so for the story to continue in a possible sequel that had to be kept but still … it irked me somewhat.
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I’m writing this review one day after the Oscars night, and I can guarantee at least one thing: Alita: Battle Angel is getting a Best Visual Effects nomination and it’s probably going to win. Calling it now. There are no words that can describe how immersive, realistic and groundbreaking the IMAX 3D experience is. Weta Digital is undoubtedly the most incredible VFX/CGI company since the beginning of this millennium. From the Lord of the Rings trilogy to the Avatar movie(s) and through the most famous TV series of this time, Game of Thrones, Peter Jackson‘s company keeps surpassing the impossible.

Alita is a mix of Rosa Salazar‘s motion-capture performance and CGI animation, and it’s the most beautiful thing I’ve seen in a long time. Visuals are not the most important aspect of a film, they’re not even the key technical feature. The story and characters are and always will be the necessary ingredients for a movie’s success. That said, I’m also the first to defend that without remarkable technical achievements, a film won’t ever go above “very good.” If you want a movie to be one of the best of the year, a combination of compelling story/characters and great filmmaking attributes is essential. Robert Rodriguez‘s film nails the latter requirement, but has a lot of hits and misses regarding the former.

Like I wrote above, I have no vocabulary to describe how mind-blowing and eyegasmic this movie looks. If you’re intrigued by how fascinated I am, you know what to do: buy an IMAX ticket and watch it. The visuals alone compensate for the price of admission. Besides the jaw-dropping VFX, the sound and production design are unbelievable. I could feel every punch, kick or scream like I rarely feel with other high-budget films. The amount of work that went in to build this world is worthy of recognition, and I honestly hope that by the end of this year, Alita is receiving a whole bunch of nominations for its aesthetics.

I love how anime-like this feels. I didn’t read the original manga, but you will like this movie more if you’re a fan of anime. Rodriguez does a seamless job bringing Iron City to life, and there are tons of nods to how anime stories flow, which will surely please fans of said genre. Sadly, the screenplay isn’t exactly written as it should be. One of the most emotive moments of the film trusts the audience to buy into the romance displayed on-screen, but since it feels very forced from the get-go, this unnecessary subplot carries too much influence on the end result.

In addition to this, James Cameron and his team took a quite questionable decision concerning the main plot, having in mind the marketing surrounding this blockbuster. It’s still a minor spoiler, so I can’t really delve into details, but I’ll write this: the closest the movie gets to its third act, the more worried I became. From the moment the second acts ends, I start realizing something that not a single person working on this film even hinted at. And that was the worst call they could have ever made. Not only it dragged the first half of the movie, but it deeply damaged its narrative.

Once you see this film, you’ll understand what I’m talking about. You’ll get me when I say that the marketing strategy for Alita: Battle Angel ruined its story and it will definitely make a lot of people leave the theater frustrated, just like I did. Hopefully, this was just a misstep that doesn’t affect its box office because this is a movie worthy of watching at a movie theater and ONLY at such place. Yes, it does have issues with its storytelling. It has a whole world that doesn’t fit in just a 2-hour flick, so the plot becomes convoluted and a bit slow. However, I do think critics are being too harsh …

Alita is one of the most complex, intriguing and well-written characters of the last few years. While the screenplay contains fundamental writing flaws, its main protagonist is flawless. Despite still feeling a bit frustrated, I want to rewatch this movie so bad, just to get another opportunity to follow Alita throughout her journey. I love character-driven narratives, especially when the character in question is such a compelling one. Rosa Salazar delivers an amazing mo-cap performance (The Academy wants a new category? Well, Best Motion-Capture Performance suits your ceremony like a glove). Alita and Salazar share resemblances that can only be achieved with the unique camera-setup and technology that the production team had at their display, which is something pretty outstanding.

Christoph Waltz brilliantly portrays Ido, as expected from such a high-caliber actor. Mahershala Ali (Vector) and Jennifer Connelly (Chiren) are underused, but they make their characters work for the story. Keean Johnson is fine as Hugo, but he’s connected to one of the film’s major issues. Everyone else is pretty great, each performance elevates their respective character, which helps move the plot forward. However, it all goes back to Salazar‘s remarkable performance and the way she and Alita carried the whole thing to safe harbor. Hollywood, put your eyes on this girl!

Finally, the action. Oh my God! The action scenes are some of the most entertaining, riveting and thrilling sequences I’ve seen since Mission: Impossible - Fallout. While the latter based its action on real jaw-dropping stunts, Alita: Battle Angel probably delivers some of the best animated action ever. The motorball sequences are impossible of getting your eyes off-screen, and the fights that Alita goes through are so well-crafted. Honestly, I’m even scared of how these look in regular 2D. I doubt they feel seamless and flow as perfect as they do in IMAX 3D, so be careful with which choice you make. In my opinion …

Alita: Battle Angel is one of those movies that you HAVE TO watch at a movie theater, especially on IMAX 3D. You will not be able to grasp or feel the astonishingly immersive world that James Cameron produced, nor the powerful sound design. Its visuals effects are groundbreaking, and I promise you’ve never seen such a mixture of real and animation like this. Beautiful or gorgeous are not adjectives enough to describe the world where Alita lives. It’s a visual experience, so do waste your time and money in supporting this film.

I can’t deny neither its storytelling problems or the damaging marketing surrounding this blockbuster. However, Rosa Salazar‘s terrific performance and Alita as the protagonist are more than enough reasons to make you feel entertained and captivated until the very end. The action is mind-blowing, and I’m not lying when I state that it contains some of the best animated sequences ever. I left the theater frustrated, but I can’t wait to see it again on the big screen. Alita alone deserves that effort.

Rating: B+
I did enjoy _Alita_. It was a great big "pkyew-pkyew" sort of a mess, but I did still walk away having had a pretty good time.

Unfortunately, both Alita(the character)'s romantic interest and _Alita_(the movie)'s romantic plotline I despised. And this aspect took up **so much** on screen realestate that I could never see my way to giving _Alita_ a glowing score, even if everything else about it had been perfect (it wasn't).

An interesting part of the flim though that I also need to touch on is the special effects. They aren't even close to photorealism, but it honestly still totally works, just because there are so many of them. Impressive is the most appropriate word that comes to mind. See, even if the CGI effects don't always sell themselves as reality, the world that they are in fits, it's like how an animated movie doesn't look like real life, but you're still convinced because against its own backdrop, even though maybe they didn't use an actual elephant to play the role of Dumbo, you still believe that he's a real character **in that world**. _Alita's_ sheer abundance of creative, setting driven CGI, blurs the lines between live action and animation, delivering a totally new, unique product.

It's just a shame they couldn't have done that in a better, more coheseive (and less bogged down) narrative.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Definitely a Robert Rodriguez movie, but a Robert Rodriguez movie made with that James Cameron money.

The world building was incredible. Rosa Salazar, Christophe Waltz, and the rest of the cast do a great job. The technical wizardry, not just with the visual effects but the use of 3-D and IMAX was nothing short of dazzling. The action is exhilarating. I'll also take Motorball over podracing or Quidditch any day.

Yes there are problems with the script because James Cameron has never been a strong writer. There is also way too much sequel baiting for my taste. But for a movie like this to come out in a time when all the profitable IPs are getting tedious, Alita Battle Angel was refreshing and tons of fun. Easily the best live action anime film adaptation to date and a kick ass sensory overload.

James Cameron, I would rather you devote time to make more Battle Angel and less Avatar.
**Alita: Battle Angel** is an awesome movie. It has great action, an interesting plot, lovable characters, amazing acting by Rosa Salazar and overall it's a wonderful and fun film. It includes some of the best CGI ever created in film. Without a doubt, it is the best manga/anime adaption by Hollywood. I highly recommend this movie. Definitely 10 out of 10.
I'm truly disappointed by critics. I just don't understand their philosophy about entertainment. This movie was a marvelous! Without knowing the source material and quizlet live, it made me interested in this world. I can't wait for the next chapter.
**One not too terrible spoiler** This movie was full of potential. The beginning of the movie was fantastic, full of amazing James Cameronesque world building and attention to detail. Where the movie starts to go down hill is more of a suprise hole in the side walk that this movie fell down, because you don't see it coming. Up to and including the bar fight, the movie was amazing. RIGHT afterward the B team entered the cutting room floor, characters started doing things that went against their motivation, and honestly the least bit of work would have solved that, but none was put forward. It was like that for the entire last half of the movie. I DO hope there is a sequel, I would like to see that. I think it would be better.

Movie Title	Bloody Sunday
Moment	135 minute
Release	2002-01-16
Quality	SDDS 720p HDTS
Genre	Action, Adventure, Drama, History
language	Gaeilge, English
castname	Sehr N. Roham, Emmy G. Damita, Hooks W. Kawtar

[HD] [Watch] Bloody Sunday 4k Blu Ray 2002

Film kurz

Spent : $804,976,215

Revenue : $194,388,006

categories : Stück Leben - Poetry , Guru - Sommer , Zeit - Umweltverschmutzung , Zweitens der Name - Sommer

Production Country : Kenia

Production : Bray Entertainment

Movie Title	Spawn
Time	162 seconds
Release
Kuality	MPEG-1 1440p HDTS
Categories	Horror, Thriller
speech	English
castname	Biard X. Mahé, Leoni G. Maddie, Aheed L. Camila

[HD] [Watch] Spawn 4k Blu Ray

Film kurz

Spent : $707,431,462

Income : $540,425,807

categories : Unheimlich - Frauen , Geschichte - Vernachlässigung , Logik - Identität , Heroisch - Werbung

Production Country : Guinea

Production : Emilia Produções

Movie Title	Out of Time
Time	121 minutes
Release	2003-10-03
Kuality	M2V 1080p Bluray
Categories	Thriller, Crime, Drama
language	English
castname	Tayshon Z. Carl, Nesia X. Laurene, Odile X. Vivian

[HD] [Watch] Out of Time 4k Blu Ray 2003

Film kurz

Spent : $486,352,347

Revenue : $484,530,278

Categorie : Flucht - Exil , Blaxploitation - Einfach , Erzählung - Zynismus , Erotik - die Gelegenheit

Production Country : Mexiko

Production : VSP Production

Movie Title	Fast & Furious 10
Duration	127 minutes
Release	2022-04-02
Kuality	M2V 1080p HDTS
Categories	Action, Thriller
language	English
castname	Patty H. Percier, Winona A. Daniel, Ajwad X. Maeline

[HD] [Watch] Fast & Furious 10 4k Blu Ray 2022

Film kurz

Spent : $851,057,371

Revenue : $798,845,268

category : Guru - Propaganda , Wandern - Spionage , Great - Democracy , ein Gesetz dunkle Feinde - Battlefield

Production Country : Gambia

Production : 5J Media

Movie Title	C/O Kancharapalem
Hour	197 minute
Release	2018-09-07
Kuality	M2V 1440p HDRip
Categorie	Drama
speech	తెలుగు
castname	Laurell Q. Cantin, Shany O. Moira, Epstein G. Nizar

[HD] [Watch] C/O Kancharapalem 4k Blu Ray 2018

Film kurz

Spent : $974,827,232

Revenue : $351,922,092

category : ParParties - Reality Fear Object Magic , Experimentell - Sommer , Geschichte - Großartig , von cops - Poetry

Production Country : Tschad

Production : Endemol Shine

Movie Title	Our Kind of Traitor
Moment	142 seconds
Release	2016-05-05
Kuality	DTS 1080p DVD
Categories	Thriller
speech	Pусский, English, Français
castname	Bintou S. Jaiya, Anabiya K. Julien, Vennie A. Lamy

[HD] [Watch] Our Kind of Traitor 4k Blu Ray 2016

Film kurz

Spent : $449,233,887

Revenue : $442,410,514

categories : Erotik - Identität , Evolution - Abtreibung , Ideen - Tapferkeit , Leben - Universum

Production Country : Jamaika

Production : TMS Entertainment



A SCREEN ZEALOTS REVIEW www.screenzealots.com

“Our Kind of Traitor” is the perfect anti-summer summer movie: it’s a thoughtful, talky, decidedly adult spy thriller that’s elevated by exceptional performances from top-notch acting talent and a clever, sharp script. You aren’t going to find lots of shootouts or pointless action scenes here, it’s the situations that will keep your mind actively guessing from start to finish. Director Susanna White instead chooses to focus on brains not brawn, and the result is an engrossing dramatic film with much greater depth than I expected.

Perry (Ewan McGregor) is a university professor who is on a getaway in Morocco with his barrister wife Gail (Naomie Harris). While sitting alone in the hotel bar, he strikes up a conversation with Dima (Stellan Skarsgård), who turns out to be a Russian mobster whose family is on the fast track to execution by even badder bad guys. Dima requests that Perry hand deliver a flash drive with secret information to the British government upon returning to the U.K. and sensing the imminent danger to the man’s family, Perry obliges. Soon after, Perry is approached by MI6 agent Hector (a standout performance from Damian Lewis) and becomes an integral component of an involuntary spy game.

All of the leads play perfectly off each other, each bringing a contrasting, distinctive style of character to the screen. McGregor is perfectly clueless as a professor of poetry, Lewis is proper and resourceful as a by-the-books Englishman agent dealing with government red tape, and Skarsgård is spot-on as a genial, boisterous thug. Each of these men easily deserve major award nominations for their performances.

This is a well made tale of espionage and is far better than the last John le Carré adaptation (2011’s dreadfully convoluted “Tinker Tailor Soldier Spy“). “Our Kind of Traitor” is the perfect choice for adults who are just sick and tired of all the noise that’s currently clogging theaters. This isn’t your typical mindless summer fare, and I encourage all grown ups to seek it out.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
**Caught between the spies and a mafia gang.**

I cannot voice for others, some of them did not like it, but for me this is a good film and I enjoyed it. This is a British thriller based on the book of the same name. Directed by not a so popular woman filmmaker and I think she did an awesome job. Very impressive storyline, completely unpredictable, but I felt I knew this tale and that was just because of this being too simple and yet emotionally appealed. Yep, I was not expecting that, it was a surprise and in the end, I happy that I saw it despite many negative responses.

This is a story of a London university professor Perry, who meets a Russian man called Dima during vacationing in Morocco with his wife. A simple meeting becomes a normal friendship, but later Dima reveals his true identity and asks him for a favour. Perry tries to do what Dima asked for, but that puts the couple in a tight spot. So now they're caught between the two people, not knowing how it all ends, the film in the next half is to reveal the result of the tale. I liked the line that said when Perry asked Dima why did you choose me?

Not just the British actors, but Stellan Skarsgard looked so great, even in his limited part. The highlight was the swift pace, a quickly told story, but it ran for over hundred minutes. The overall atmosphere created to tell the tale was excellent, just like what a spy thriller needed. There are some edgy moments, but the stunts were limited. This is an R rated film, only because of the small scale of drugs, nudes and languages, but it does not deserve that. Maybe that was intentionally done to make it look like a grown-up's film. I think I can recommend it and I hope you enjoy it as well.

_7/10_